Following each ELM conference we invite the speakers to submit their articles for publication in a peer-reviewed monograph.
The papers delivered at the first ELM conference (Recycling History in Post-war Literature in English) resulted in a monograph titled Into the Past. Studies in Literature and Culture, edited by Paweł Schreiber and published in 2011 by Kazimierz Wielki University Press.
To see the Table of Contents, scroll down the page.
For more information, see: http://www.wydawnictwo.ukw.edu.pl/ksiazka.php?id=411
The papers presented at the second ELM conference (Culture and Anarchy) were published in a monograph titled Art or Commodity? Studies on High and Popular Culture, edited by Paweł Schreiber, Joanna Malicka and Jakub Lipski. The monograph was published by Kazimierz Wielki University Press in 2012.
To see the Table of Contents, scroll down the page.
For more information, see:
http://wydawnictwo.ukw.edu.pl/ksiazka.php?id=501
To see the Table of Contents, scroll down the page.
For more information, see:
http://wydawnictwo.ukw.edu.pl/ksiazka.php?id=501
The next conference - Centres and Peripheries - was followed by the publication of a monograph entitled The Central and Peripheral. Studies in Literature and Culture, edited by Paweł Schreiber, Joanna Malicka and Jakub Lipski. The monograph was published by Cambridge Scholars Publishing in 2013.
To see the Table of Contents, scroll down the page.
For more information, see:
http://www.c-s-p.org/Flyers/The-Central-and-the-Peripheral--Studies-in-Literature-and-Culture1-4438-4596-5.htm
FORTHCOMING PUBLICATIONS:
We are currently working on two more monographs. The first one, i.e. Na uboczu. Studia o centrach i peryferiach w literaturze, which comprises articles submitted by the participants of the Centres and Peripheries conference, is currently being reviewed. The other one, which will comprise articles contributed by participants of the Living and Writing conference, is still being edited and will be submitted for publication to Cambridge Scholars Publishing.
Into the Past. Studies in Literature and Culture
(ed. Paweł Schreiber)
TABLE OF CONTENTS
Introduction: The Polyphony of History
Tymon Adamczewski
The End of History or the Beginning of Writing? Postmodern approaches to history
Zofia Ziemann
The Geometry of History in Graham Swift’s Waterland: Linear Grand Narrative versus ”Going Round in Circles”
Aneta Lipska
About How History Ended and Story-telling Began. Shedding the Burden of the Past in Graham Swift’s Waterland
Mateusz Proch
Obrazy znarkotyzowanej Europy – między Tęczą grawitacji Thomasa Pynchona a Europą Larsa von Triera.
Dariusz Pestka
Contracting a Virus Through the Written Word – The Condition of Human Consciousness According to William Burroughs
Monika Roszak
„Wszyscy pamiętamy tamten czas” – o mechanizmach pamięci w Pamiętniku przetrwania Doris Lessing
Aleksandra Perzyńska
Doświadczanie życia i historii we wczesnych opowiadaniach Doris Lessing
Diana Cereniewicz
The Right to Write history? Salman Rushdie’s Shame
Teresa Onderka
Historia przetworzona magicznie w Dzieciach Północy Salmana Rushdiego
Joanna Sadowska
Postcolonial translocations of William Shakespeare’s The Tempest in Marina Warner’s Indigo
Joanna Malicka
Shylock’s trial: an appeal hearing. Arnold Wesker’s The Merchant and William Shakespeare’s The Merchant of Venice.
Maciej Adamski
Disney’s Cars in the eyes of American press critics
Michał Borodo
Horrible Histories in Poland: The Global Non-Fiction Series Translated and Glocalized
Jakub Lipski
Modern Quixotism and the Quest for Truth. Graham Greene’s Monsignor Quixote
Art or Commodity? Studies on High and Popular Culture
(eds. Paweł Schreiber, Joanna Malicka and Jakub Lipski)
Introduction
Tymon Adamczewski
The Culture of Texts
Dariusz Pestka
Of Barrettology – Deconstructing Derridology with Madcap’s Laughing Stock
Paulina Kamińska
The songs of solitude – the spirit of modernism in Jean Rhys’s novels as enhanced through the use of European popular music and Caribbean folk songs
Zofia Szachnowska-Olesiejuk
The High, the Low and the Ugly. Elements of popular culture in the novels of Kurt Vonnegut and Chuck Palahniuk
Joanna Malicka
The unbearable textuality of (not) being: Christine Brooke-Rose’s Textermination, or the prayer for literary existence.
Marek Pawlicki
The “confessing animal” and its problems with self-expression. The confessional narrative in literature and the Internet
Barbara Popiel
Antygona na blogu. W jaki sposób i w jakim celu nastoletni blogerzy recenzujący książki sięgają po literaturę wysoką?
Anna Gumowska
Małe formy literackie w internetowej twórczości fanów Harry’ego Pottera
Joanna Ginter
„Masz e-rozum i e-serce i kobietę także e-” – o wpływie Internetu na Poezję i poezję
Ewelina Woźniak
Książka o filmie? „Książka filmowa”? O zjawisku literackiej „adaptacji” filmu
Przemysław Kaliszuk
Popularna awangarda? Diagnoza kultury w „Do Yourself a Book” Stanisława Lema
Monika Samsel-Chojnacka
Wsi niespokojna, wsi niewesoła. Obraz prowincji w szwedzkiej literaturze kryminalnej
The Central and the Peripheral
(eds. Paweł Schreiber, Joanna Malicka, Jakub Lipski)
List of
Illustrations
List of
Tables
Introduction
Part I: Geographies
The
Garden of Forking Paths or Lost in the Literary Funhouse—Alternative Spaces in
the Novels of John Barth
Zofia
Szachnowska-Olesiejuk
Europe
Decentralised in Salman Rushdie’s The Enchantress of Florence, Bernard
Malamud’s Pictures of Fidelman and Alejo Carpentier’s Concierto Barroco
Dominika
Bugno-Narecka
Mapping
the Imagery of H. Rider Haggard’s Adventure Stories: Centres and
Peripheries
Daria
Semenova
Printing
Utopia, Mapping Britannia: Setting the Limits to the Tudor State
Alex
Lawrey
Russian
Political System in Travelogues and Press
Iwona
Sakowicz
Part II: Mapping the Self
Images
of Confinement: the Isolated Woman in Tennyson and the Pre-Raphaelites
Maria
Perzyńska
Between
Centrality and Marginality: Dante Gabriel Rossetti’s Images of the Virgin Mary
Aleksandra
Kremer
Under-surface
Spaces in the Context of Self-liberation: Study Based on the Prose of D. H.
Lawrence
Bartosz
Cierach
London,
Spirituality, Insularity: the Vision of Englishness in the Writings of Peter
Ackroyd
Karolina
Kolenda
From
Peripheries to the Centre: the Quest for One’s Self in Keith Ridgway’s The Long
Falling
Magdalena
Stępień
Trauma
of the “Polish Bond”: Memory, Place and Identity in Two Literary Accounts of
Journeys to Poland by Contemporary Israeli Writers
Agnieszka
Podpora
Brian
Coffey’s Advent: The Central and the Peripheral in Coffey’s Poetry
Wacław
Grzybowski
Part III: Narrative Centres and
Peripheries
Mary
Wollstonecraft as Narrator of Scandinavian Letters and Private Correspondence
Magdalena
Ożarska
Peripheries
of Time—an Analysis of Pasażerka by Andrzej Munk, La Jetée by Chris Marker and In
the Heart of the Country by J. M. Coetzee
Marek
Pawlicki
A Centre
of Peripheries—the Narrative Structure of James Joyce’s Finnegans Wake
Marcin
Gołąb
Peripheries
of a Book: Word and Image in Literature
Beata
Marczyńska-Fedorowicz
Contributors
Index